fruit

please join me...

for lisa coley...

the lost button

the first print to be pulled off of my new wee baby press.

for the love of pods i ii & iii

funny...

i always assume no one reads this blog...i put my work up here so that i have my images hosted. it is a place i come to view my work as an outsider...and then all of a sudden i'll speak to someone, or get a comment from someone who has read or viewed my blog...funny. i appreciate anyone taking the time to read my garble or look at my work.

thanks.

i have another show booked for 2008. a month long solo exhibition at the white heart...a very cool lounge/bar in portland. it is the reason i have begun to pump out work. well, that and the inspiration of my subject matter. i am loving it. but i feel like i have prematurely stopped working on some of the images i have recently posted simply for some girth in the size of my body of work. i feel the pieces are kind of incomplete and plan on going back to work on them before the show. but really, there isn't much time left before january...and i want all new work up.

so...i would appreciate comments. even if it feels like a negative one, or critical. i want to hear it. i have more work to do on this stuff. i know that. why don't you let me know what you think would make it all come together batter. and in the meantime i am going to keep posting myunfinished work.

ciao, bellos.

driver 8...oh how i love you.

two new pieces in the works...

to be printed on recycled brown paper with a coat of golden ink aid to make them glow!!!!! once i get my rinter working i'll scan the output...but for now the images in the works...

scissoring

still more to come...

me...

her instrument of choice

the beginning...the very beginning...of some new work. come on now and be critical, but remember that it is the group of things that go together that make the statement.

creation

i have a big show in april 2008. not for a while, but for me, huge. the wheels have begun to spin about new work. new work. such a novel idea.

i cannot waste time creating anything that doesn't speak. the venue i have set up is very conservative...the library in kennebunk. the space my work will be in is shared by cildren, thus i have to curb my usual vulgarity. but by how much? i want to make a statement politically, but without insinuating violnce, nudity or any obscenity, how i am to do that?

my draw, or interests lie in print-ized portraits. i have established this. this is the genre for me right now. i want to focus on the working class and somehow establish in my work an elitism about having humility...i have a particular interest in this because recently i began a green (non-toxic, eco-friendly cleaning business to support my family. there is much to be learned about life before one cleans other peoples' grime for a living. let me tell you.) i struggle finding ways of justifying being a cleaner even though i have a degree and can do many many things...fact is...i think that cleaning a person's home in a safe noon-toxic way is a sort of holitstic health practice. preventative meds in a very basic way. organization, cleanliness...there is something very noble about what i am doing and what others like me do...

i think my style of portraiture can capture an arrogance in the sweat-collar class well. it is, i believe, what i shall attempt to do...that or some paper plate lithos of utensils with illustrious names...hmmmm.

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